Saturday, December 24, 2011

Cradle Of Filth - Cruelty Brought Thee Orchids guitar awning on Hufschmid Mockingdroid

Here is a cover of this song with my new guitar, the Mockingdroid made by Patrick Hufschmid ( www.hufschmidguitars.com ) in Switzerland in January. It's made of one piece mastergrade quartersawn Sapelli neck and body (bolt on construction), Western quilted maple top, west African ebony fingerboard. The pickups are handmade by Kent Armstrong and designed by Patrick himself, I play all the song with the bridge pickup the Corrosion Humbucker. A few mistakes as usually, hope they won't be crippling ;-) I also play in the progressive metal/rock band Wedingoth www.myspace.com , check it out!

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Wednesday, December 21, 2011

Chek The Metal - 7 - Happy Birthday Metal (Studio Version)(1st Album)

facebook www.facebook.com This song is 7th in this album, Take Me To New World (1st Album). Happy Birthday Metal(2009). Progears Guitars - Yamaha RGX 121 / Baracuda ST-70 / Applause by Ovation Bass - Fender Japan Effect - Line 6 Moto Pod 2.0 + Zoom GFX 5 Guitar Tune Standard E (6 - 1) EADGBE Bass Tune 5 strings Style (4 - 1) BEAD Program for record - Sony Vegas 6.0 Program For Edit - Sony Vegas 9.0

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Thursday, December 15, 2011

How to Get Over Stage Fright

!±8± How to Get Over Stage Fright

Many of us have experienced shaky legs, jittery hands and quivering lips while being on stage. In fact many of us don't participate in any stage activities because of fear of embarrassment.

But this isn't the right way to deal with stage fright. Fear is in our mind and the moment we face it head-on it will vanish. The first step in dealing with stage fright is developing a positive outlook.

It's important that we keep resonating positive phrases in our minds as this will not just help in finishing our act well but will also help in getting rid of fear.

If the job at hand is to play a role, then make sure that you have rehearsed your lines by-heart. If the ambiance and the people get to you in the last minute then make sure that your last few practice sessions take place in the venue itself.

This will give you a real picture of how the ambiance is going to look on the d-day and you will also know how your audience will be seated.

All this will equip you better for a flawless performance.

It will also help if you put on the micro-phones and practice. Most of the times what happens during live performances is that due to some technical errors people don't get to hear the dialogues well.

This can cause confusion among audience which in turn can divert your attention and badly affect your performance. Make sure to check your dress-fittings, make-up and all other details twice before the final act.

All this will increase your confidence and you will be more than happy to appear on stage. Few hours before the act stop practicing.

Relax and enjoy the experience. This will show in your act and the applause will be worthwhile.


How to Get Over Stage Fright

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Sunday, December 11, 2011

Air Supply in Uncasville, CT 7/29/07 - Performs at Mohegan Sun Arena Private Event for 6,000

!±8± Air Supply in Uncasville, CT 7/29/07 - Performs at Mohegan Sun Arena Private Event for 6,000

Uncasville, CT: Air Supply Performs Private Show at Mohegan Sun Arena. 6,000 Guests Experience Air Supply in its Full Glory

This is how every Air Supply concert should be seen by fans, and Air Supply deserves to be in every arena in the country! On Sunday, July 29, 6,000 Mohegan Sun Casino guests were invited to a private Air Supply concert in the Mohegan Sun Arena. Unavailable for purchase, tickets and attendance to this rare event were by invitation only and Airheads packed the arena!

Having received my invitation, I couldn't contain my own excitement at the prospect of being able to see Air Supply in a venue of this size. Most Air Supply concerts I attend typically hold 500 guests on average, so this would be quite the event for me. To witness Air Supply on stage where the sound, lighting and energy would be 10-fold had me waiting impatiently for Sunday night to arrive!

A large portion of the arena was general admission, but a few sections, including ours, had assigned seating. We were located on Russell Hitchcock's side and had a great view, about 10 rows up from the floor. Right below the speakers we knew the sound would be phenomenal. We really couldn't have asked for a better seat!

Having just seen Air Supply in Mohegan Sun's Cabaret Room the four nights prior, we knew what to expect from the Air Supply set list. Beginning right on schedule, the lights dimmed and we heard the all-too-familiar Beatles tune "It won't be long now". Unaware that Graham Russell would be performing, it was a great delight when he walked out on stage and took his bow in the spotlight. Graham introduced himself to the audience and talked about being the opening act for Air Supply. It was a great warm up for the crowd, which is, of course, something Graham always tells us is one of his goals: To warm us up...are we warm yet?

I have seen Graham perform The Future, Make You Mine and Lace & Leather in very quaint showrooms and felt it suited him well. To my surprise, Graham commanded this large stage and even larger audience, his voice filling the arena. Amazing! I was incredibly proud of Graham and pleased that he was able to showcase his talent in this vast yet intimate way. The audience loved it!

After Graham finished his three songs, excitement filled the arena. We (and I mean those of us who had just seen them the night before) anticipated that Sweet Dreams would be the opening number, but what we didn't know was how powerful its affect would be in an arena of this size. Fog appeared and the stage glowed red. Jonni Lightfoot quickly ran on stage to 'press the button' to begin the show. A new poem spoken by Graham could be heard and the mood was set. As Graham's voice faded, we heard the beginning notes to Sweet Dreams and the arena erupted with applause, whistles and screams! This is what 6,000 fans came to see! Moments later, Russell Hitchcock walked on stage to even more applause and the fans were ecstatic!

Graham and Russell took turns in the spotlight as they began Sweet Dreams, singing the quiet and soft opening. As the song crescendoed to "Sleep! Like a child! Resting Deep! You don't know what you give me I keep, for these moments Alooooooooooooone!" fans were on their feet and Air Supply proved that the once soft-rock/pop group could rock Mohegan Sun's Arena as good as any headline entertainers Mohegan hosts! A quick key change found Russell belting out the chorus to "Young Love" and the audience couldn't hold in it's excitement. As Russell ended, the band moved immediately into Even The Nights Are Better and then Just As I Am. For 15 minutes, the audience had not one moment to catch their breath. They sang, they clapped, they screamed, they danced, they stomped, they whistled and they loved! The energy in the Arena was incredible and Air Supply had more to give. This was JUST the beginning of the show!

Air Supply rocked this arena, and Russell, Graham, Jed, Jonni and Mike's performances were exhilarating. But, and there's often a but, one band member's performance was HOT HOT HOT! Bassist Jonni Lightfoot is an incredible and talented guitarist who always pleases fans and makes the girls swoon. Hottie Jonni, as he is affectionately known, was in rare form this Sunday night and while he may not appreciate my saying this, his performance stole the show. You all know I give credit when performances are outstanding or otherwise memorable, and Jonni's was both.

Having seen Jonni perform about 30 shows, he is always fun and playful on stage. It's typically routine in that there seems to be a time and place for his levity, occurring during certain songs or portions of the show. Well scratch that for Sunday night. From the first song, Jonni's performance far out shined any I've seen from him. More attitude, more animation, more audience interaction, more fooling around with pianist Jed Moss and drummer Mike Zerbe and a whole lot more funk. If you've ever seen Jonni perform his solo during Chances, you know he can kick it like the best guitarists. Just multiply the best of this solo 100 times and that's what you got out of Jonni throughout the show.

Jonni encouraged the audience to clap louder, even cupping his hand to his ear saying, "I can't hear you!" The audience responded and it fueled Jonni and the audience even more. He threw towels out to girls, guitar picks out to fans, and moved across the stage as though he owned it. He shared the stage and spotlight with Graham and Russell and they gave him the freedom to do so. Jonni was clearly in his element and on this stage and with this audience is where Jonni belongs.

To see a little of what I'm talking about, check out these clips posted on YouTube. I can't take credit for them, but a big thanks to the girls who sat 2 rows down from us for posting them! Power of Love Mohegan Lost in Love Mohegan The clips show Jonni waving to the audience, sticking a pick on his forehead, playing with Jed Moss, and rocking out. And on top of it, it truly showcases Russell's unwavering vocals.

The audience at Mohegan Sun was treated to stellar performances by all. Jed Moss' classical performance before Faith in Love was outstanding, and Mike Zerbe's drumming was awesome. And on top of it, he had nice new shiny cymbals! Let's hope Graham is gentle with these babies!

The audience sang every song with Air Supply and at one point I had to ask my friend to not sing, just so we could hear the rest of the arena singing together. It was 6,000 voices all at once, all singing together. Talk about making a memory!

Russell and Graham did not disappoint fans as they made their customary trek out into the audience during The One That You Love. I have to give credit to Russell who made his way throughout the floor and into the stands to surprise fans with kisses, hugs and handshakes. To do this in a small 350-person venue is challenging enough, but an arena designed for 10,000? Phenomenal. There is never enough time and Russell always runs back to the stage apologizing en route to those he couldn't stop to hug or kiss.

We sang, we cheered, we stood and gave ovations. We few regular Airheads became fans en masse, swaying and singing like we'd never seen them in concert before. We fully appreciated the moment, relishing each song, each lighting detail, each extra oomph given to us. We were swept up in the moment and our adrenaline pumped high. You'd think we'd just seen the Beatles.

Thank you to Russell, Graham, Jed, Jonni, Mike, Sparky, Brett, Moe, Nate and Mark. Switching from the Cabaret Room to the Arena kept you on your toes and you made this one of the best Air Supply shows I have ever seen. Throughout the week you had smiles on your faces and treated the fans like they were friends, welcoming them to every show. Let's hope this private Arena show turns into a fully public Arena show next year. I for one can't wait to see it again!

Cheers!


Air Supply in Uncasville, CT 7/29/07 - Performs at Mohegan Sun Arena Private Event for 6,000

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Tuesday, November 29, 2011

Applause AE127-VY Acoustic Electric Guitar

!±8± Applause AE127-VY Acoustic Electric Guitar

Brand : Ovation | Rate : | Price : $239.99
Post Date : Nov 30, 2011 03:56:28 | Usually ships in 1-2 business days

A Sam Ash Exclusive! The Applause AE127-VY Acoustic Electric Guitar combines the style and features of popular solid body electric guitars with cutting edge acoustic guitar technology. A flamed sycamore top is finished in a striking cherry sunburst inspired by a famous solid body electric. Matched lightweight bracing deliver a clear amplified tone with plenty of headroom before feedback on stage. The guitars offers a slim neck has an electric-style profile, 20 hand-finished nickel-silver frets, and low factory-set action. A cutaway insures easy access to the entire fretboard. Featuring an easy-to-use onboard OP-4B preamp, the Applause AE127-VY is great for recording. Preferred by many stage performers and acoustic guitarists who rely on amplification, the AE127s mid-depth composite body retains all the benefits and acoustic properties of Ovation's proven roundback design. Case not included.The Applause AE127-VY Acoustic Electric Guitar is a perfect choice for players who are looking for a versatile, beautiful instrument at a price that is easily within reach. Order yours from Sam Ash Direct today with the security of our 45/60 day return/price protection policy.

  • A Sam Ash Exclusive!
  • Flamed Sycamore Top
  • Mid Depth Body
  • OP-4B preamp with Active 3 Band EQ
  • Case not included

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Saturday, November 12, 2011

The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

!±8± The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

The Ovation guitar was a revolution in the history of guitar making. Its innovations include the use of synthetic materials in guitar construction, the mathematically designed "bowl back", the use of onboard preamps and piezoelectric pickups, and the offset soundholes of the Adamas series. This article provides a glimpse into the origins of this American original, and its lower priced cousin the Applause guitar.

Charles Kaman, an aeronautical engineer and amateur guitar player, was born in 1917. He played the guitar from an early age, and studied aeronautical engineering in college. After college he worked in helicopter design. At some point, Charlie entered a national guitar competition and made it to the finals. As a result, he got the opportunity to play guitar with the Tommy Dorsey orchestra. Dorsey offered him a job in the band, but Kaman was committed to aeronautics and turned it down.

In 1945, Charlie founded his own helicopter design company, Kaman Aircraft. The company was quite successful and grew steadily until the early 1960s, when the commercial flight division failed. As a result, Kaman was looking to diversify outside of the aircraft and defense related business.

At around this time, Charlie took his warped Martin guitar to the Martin factory for repair. He toured the plant, and was shocked that Martin was building guitars by hand with hammers, animal glue, and clothespins. He offered to buy the company and modernize their manufacturing, but C.F. Martin refused, wanting to keep Martin a family business.

Kaman decided to start his own guitar manufacturing business. He assembled a team of aeronautics engineers to design the ideal acoustic guitar. The result was the Ovation "bowlback", a rounded back made of a fiberglass composite similar to materials used in aircraft construction. The unique shape of the back as designed to focus the soundwaves inside the guitar to maximize the sound transmission.

The first Ovation guitar, the Balladeer, was introduced in 1967. In 1971, Ovation pioneered the acoustic-electric guitar, adding piezo-electric pickups, onboard preamps, and equalizers to some of their guitars. By the 1980s, Ovations had caught on with professional guitar players and were used onstage extensively. Guitarists using Ovations onstage included Glen Campbell, Al DiMeola, Jimmy Page, and many others.

If Charlie Kaman hadn't played the guitar, or hadn't studied aeronautics, or if his Martin hadn't needed a repair at the same time that Kaman Industries needed to diversify, we wouldn't have the Ovation guitar or the Applause guitar today.


The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

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Wednesday, September 21, 2011

Applause by Ovation AA13-RR Acoustic Guitar

!±8± Applause by Ovation AA13-RR Acoustic Guitar

Brand : Applause by Ovation | Rate : | Price : $149.99
Post Date : Sep 21, 2011 14:22:37 | Usually ships in 1-2 business days


Incorporates the revolutionary lyramold round-shaped back - the acoustic guitar design introduced by ovation. the dovetail heel/neck joint allows the neck angle to be accurately and permanently set at the factory. the thruneck design offers a more playable, stable neck and supports the fingerboard into the guitar body. the neck is truss adjustable and made of mahogany with a rosewood fingerboard. birch marquetry rosette trim. walnut bridge is shimmed for easy string action adjustment.

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